chapbooks with poetry and prose by kuypers

““

The Nightmares and the Soybeans

Poetry and prose and other cool stuff by Janet Kuypers

1997


the men at the construction site

a woman told me
that scientists did an experiment
where a woman
first walked past a construction site
with her head down

no one bothered her,
no one noticed her
everyone at the site left her alone

then, later in the day,
she walked past again
in the same outfit, with the same stride
but this time she walked with
her head up,
more confidently

and that’s when she got
the calls, the whistles
from the men at the construction site

and you tell me it’s not deliberate
and you tell me it’s not an effort
to keep women in their place


the mistakes he made

I

Ralph
lost three of his fingers
while on the job
at his factory

at the time
medicine couldn’t save
his fingers

after that,
whenever
Ralph Bakutis
looked at his
fingers,
he thought
of the mistakes
he made

II

Ed
while working with a
circular table saw
reached up
above him
for a piece
of wood
and when the wood
slipped
he cut off
the tips of
two fingers

once at the
hospital
he called
his son
asked him to check
the sawdust-
covered floors
around the
workbench
to see if he could
find them

the doctors tried
to reattach
the tips,
but they
didn’t take

after that,
whenever
Ed Kuypers
looked at his
fingers,
he thought
of the mistakes
he made

III

Lester Massey
agreed with
a friend
to each chop off
a finger
but after
his friend
chopped off
Lester Massey’s
finger
he changed
his mind
about losing
his own

after that,
whenever
Lester Massey
looked at his
fingers,
he thought
of the mistakes
he made


the muse, the messiah

I

I can see you now
hunched over, pouring yourself into
your work, scattered papers,

dim lights flooding
white over the glaring screen, in
your otherwise

darkened corner of the
world. And I know you can feel me
now, feel me rushing in

through the window
that you leave only slightly open
at night,

rushing in with a faint
whistle, circling around your neck, curling
up around your

jaw, opening your mouth
so slightly. You can feel my rush
chilling your teeth.

You tilt your head
back, closing your tired eyes
from your problems,

from your future in front
of you, on those pages, on that screen,
under that white

light. You let me open your
mouth more and more, you feel me
swirling around your tongue,

down your throat, into
your lungs, like smoke from a clove
cigarette when you hold

your breath to feel
the high, feel the ecstacy just a little
longer, or like steam rushing

down your throat when you
take a deep breath the summer morning
after a heavy fog.

You open your eyes.
You lick your lips. I make you
do that, I make you

forget your world. You can
feel me there, you can’t escape me. I’m
there. I’m your muse.

II

And I’m sitting in my
apartment, and when I reach out my arm
shadows of my hand

stretch across the wall.
There is no music, but I begin to
move my hands, like

a ceremony, as if to
a drummed out rhythm, like the pant
of a mistress as she

walks down the hotel steps
into her car after seeing her savior, like waves at
the sea slowly crashing

at the shoreline.
The phases of the moon are changing,
and the waves are crashing

with more and more
intensity, with more and more
power, faster and

faster. And at this very
moment you walk down a street somewhere,
it is daylight,

and you see the white moon
peering toward you from the sky. The
moon was looking

for you. It wanted to
watch you. You divert your eyes,
step off the curb,

and for no reason walk
in the middle of the street. There is no traffic.
You are safe. And

the moon watches the stride
of your step, and the moon watches my hand,
and the moon hears

the rhythmic pant of
intensity, and the moon rises the water.
We feel the drumming beat.

The phases of the
moon are changing. There is no reason why
you should question this.

You can feel me. I
will keep you safe. I will keep you
alive. I’m your messiah.


the nightmare

The chain lock snapped
as the voices poured out
that filled my brain with death.

the bespattered remains
of what could be called
my inflated ego
clung to the curtains
that were stained with rain
and dripped from the bedsheets
onto the champagne stained
carpet.

I only wanted to surprise you
as my tears dripped down ice
and my screams were only
blocked by a blank stare.

I never like that carpet anyway.

the second death

the outburst of the telephone
the clamorous ring
the josteling sound
nearly threw me from my seat;

as I spoke to you
as the receiver sobbed
I tried to console you
to calm you down
without hanging up altogether.
Don’t apologize for the outburst
for I don’t mind helping you through.

I don’t need the help myself.

No, I’m not going to go see him;
they have to ship his body to me anyway.
It doesn’t matter.
He was a stranger to me then,
and he is a stranger to me now.
He is no colder than he was.

No, I don’t want to say good-bye
to him:
I see no point
in saying good-bye to a man
I never said hello to.
Or I love you.
And I’m only sorry to see mother
shake as she’s sipping her coffee.

I hate to see the people mourn.
He was such a good man,
it’s a shame to see him go,
we’ll all miss him so.
No.
They did not know
of his yells and screams
in a drunken stupor,
or his terrible indifference;
they did not know
of the stubbornness
or of the ice in his stare.

And I can’t forgive him for leaving me
long before leaving this world.

Daddy,
I am not heartbroken
and I will not miss you.
I miss not having a father.
I have always missed the man
who smothers his baby daughter with love
when he comes home from work
and who loves to call me
daddy’s little girl.

Father,
I will not cry for you,
for you died long ago.
I will not cry for you,
for you died long ago.


sometimes the understanding

Sometimes the understanding
Travels into the realms of the unknown
All we can do is hope
search
dream
Because we will never find.

Sometimes the light is not enough.


soothe me just this once

when i called you from the pay phone
at the hotel
after he hit me

i got your answering machine
i tried to tell you
as quickly as i could

a woman came up to me while i was
in the lobby
asked if i was okay

that’s when i realized i was scraped
up, bleeding
i told her i was fine

please just tell me you’re at home
screening calls
pick up the phone

you think i brought this on myself,
don’t you
please just this once

pick up the phone, listen to me
soothe me just this once
help me


sorry flowers

i bet you think a box of candy is
all you need to make everything better
and you’d still say i need to lose
some weight, sure, feed me candy, okay.

i love “apology candy” as much as i
love “sorry flowers” and people at the
office keep saying i must be a great
girlfriend because i get flowers at the

office but then i tell them that they
are “sorry flowers” and that the
worst kind of flowers are “sorry
flowers” because you’d rather have no

flowers if it meant that you two
were happy all the time. and no one
understands what you’re talking about.
and neither do you. so good-bye.


soybeans

Have you ever jumped in a vat of soybeans before? It’s very strange, it feels like you’re a kid in one of those playground things where you jump in a pit of colored plastic balls. Except soybeans are a lot smaller than those balls in the playgrounds, and I guess they don’t have all those colors. Well anyway, I went over to his grandparent’s farm, and he decided to take me on a tour of the farmhouse. The cows were smelly, I made sure I kept my distance, and I just kept calling to them, saying, “hello, moo-cow.” And there were a bunch of cats running around the field, and we picked up a couple kittens and held them up high in the air. I kept asking the cats, “do you love me?” and he kept asking me why I was asking for approval from cats. Then we gave them some milk from his uncle’s farmhouse. And then he took me up a ladder to the top floor of the barn.
That’s when he proceeded to take off his shoes and jump over into a ledge. He told me to join him. I couldn’t quite see what I was about to jump into, it was almost dusk, but I took off my shoes and socks and jumped in anyway.
And my ankles sunk into the soybeans. And I started laughing. And I fell, and then I started to bury myself in soybeans. And then I jumped around a few more times, then I just started throwing soybeans at him.
And then I just laid down in the pit of soybeans for awhile. They felt cool on my skin. I could feel the dust from them covering my legs, my calves.
There are time like that, times when I just have to let go.


st. anthony’s medallion

“A father brought his ten year old son to the cemetary
where his mother was buried about a month earlier.
It began to rain, and lightning struck the boy dead
on the scene. It is believed a St. Anthony medallion
worn around his neck acted as a conductor”.

The sky is weeping again.
For me. What have I done,
this is my punishment for
what? You did this to me,

didn’t you, you unfair God?
Didn’t I tell them I loved
them enough? I went to the
school play, remembered

our anniversary. How am I
supposed to go on now? My
wife first, take her from me
first, then take the only thing

in this world that looks like
her. That has her nose. Her
chin. Why couldn’t I rip
that medallion off him, set

him free? Did I not watch
him enough? Did I not love
them enough? Why wasn’t it
me? Why wasn’t it me? Why?



Copyright Janet Kuypers. All rights reserved. No material may be reprinted without express permission.


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